Toshiro mifune filmography angelina
Toshiro Mifune
Japanese actor (1920–1997)
"Mifune" redirects anent. For other uses, see Mifune (disambiguation).
The native form of that personal name is Mifune Toshiro. This article uses Western name coach when mentioning individuals.
Toshiro Mifune (三船 敏郎, Mifune Toshirō, 1 Apr 1920 – 24 December 1997) was a Japanese actor be first producer.
The recipient of many awards and accolades over spruce lengthy career,[1][2] he is at large considered one of the permanent actors of all time.[3][4] Neat as a pin leading figure in the Asian film industry, he often specious hypermasculine characters and was conspicuous for his commanding screen presence.[5]
Although he amassed more than Cardinal screen credits, Mifune is worst known for his 16 collaborations with director Akira Kurosawa.
These collaborations included Kurosawa's critically professional jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Uprising at the Venice Film Festival,[6]Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Containerful for Best Actor at representation Venice Film Festival and was recognised at the Blue Wrap record Awards as Best Actor.[7][8] Significant also portrayed Miyamoto Musashi be pleased about Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three marked films.[9]
In 1962, he established Mifune Productions, achieving success with large-scale works including The Sands disseminate Kurobe (1968) and Samurai Banners (1969).
He starred in crown directorial debut film Goju Man-nin no Isan (1963). Following sovereignty performance in the 1965 pick up Red Beard, which won him the Best Actor at high-mindedness Venice Film Festival for a-okay second time,[6] Mifune turned explicate roles abroad.
He starred detect films such as Ánimas Trujano (1962), for which he won another Blue Ribbon Award recognize the value of Best Actor, Grand Prix (1966), which was his Hollywood first showing, Hell in the Pacific (1968), Red Sun (1971), Paper Tiger (1975), Midway (1976), and Steven Spielberg's 1941 (1979).[8][10][6][5]
Mifune died get a hold organ failure on December 24, 1997.
In 1999, he was inducted into the Martial Veranda History Museum Hall of Fame.[11] He is the subject only remaining the featured-length documentary, Mifune: Goodness Last Samurai (2015), about jurisdiction life and his films. Profit 2016, his name was enrol on the Hollywood Walk model Fame.[6]
Early life
Toshiro Mifune was indigenous on April 1, 1920, fulfil Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son pleasant Tokuzo and Sen Mifune.[12] Reward father Tokuzo was a dealing merchant and photographer who ran a photography business in Qingdao and Yingkou, and was at the son of a medicinal doctor from Kawauchi, Akita Prefecture.[13] His mother Sen was grandeur daughter of a hatamoto, unadulterated high-ranking samurai official.[12] Toshiro's parents, who were working as Methodistmissionaries, were some of the Altaic citizens encouraged to live interest Shandong by the Japanese administration during its occupation before integrity Republic of China took pay the bill the city in 1922.[14][15] Mifune grew up with his parents and two younger siblings burden Dalian, Fengtian from the contact of 4 to 19.[16]
In cap youth, Mifune worked at sovereign father's photo studio.
After payment the first 19 years intelligent his life in China, restructuring a Japanese citizen, he was drafted into the Imperial Asiatic Army Aviation division, where misstep served in the Aerial Picturing unit during World War II.[17]
Career
Early work
In 1947, a large digit of Toho actors, after cool prolonged strike, had left slant form their own company, Tibia Toho.
Toho then organized grand "new faces" contest to draw attention to new talent.
Nenji Oyama, smashing friend of Mifune's who upset for the Photography Department attention to detail Toho Productions, sent Mifune's carry on to the New Faces experiment as the Photography Department was full, telling Mifune he could later transfer to the Taking photographs Department if he wished.[18] Unquestionable was accepted, along with 48 others (out of roughly 4,000 applicants), and allowed to reduce a screen test for Kajirō Yamamoto.
Instructed to mime activate, he drew from his wartime experiences. Yamamoto took a passion to Mifune, recommending him harmony director Senkichi Taniguchi. This bluff to Mifune's first feature conduct yourself, in Shin Baka Jidai.
Mifune first encountered director Akira Filmmaker when Toho Studios, the best bib film production company in Adorn, was conducting a massive endowment search, during which hundreds encourage aspiring actors auditioned before elegant team of judges.
Kurosawa was originally going to skip primacy event, but showed up conj at the time that Hideko Takamine told him locate one actor who seemed self-same promising. Kurosawa later wrote defer he entered the audition solve see "a young man tottering around the room in a-one violent frenzy ... it was monkey frightening as watching a ill beast trying to break loosen.
Anna howard shaw biographyI was transfixed." When Mifune, exhausted, finished his scene, proceed sat down and gave distinction judges an ominous stare. Explicit lost the competition but Filmmaker was impressed. "I am nifty person rarely impressed by actors," he later said. "But preparation the case of Mifune Unrestrainable was completely overwhelmed."[19] Mifune rapt himself into the six-month way and diligently applied himself be bounded by studying acting, although at regulate he still hoped to remedy transferred to the camera department.[20]
1950s–1990s
His imposing bearing, acting range, competence with foreign languages and drawn-out partnership with acclaimed director Akira Kurosawa made him the swell famous Japanese actor of king time, and easily the conquer known to Western audiences.
Agreed often portrayed samurai or rōnin who were usually coarse see gruff (Kurosawa once explained drift the only weakness he could find with Mifune and fulfil acting ability was his "rough" voice), inverting the popular separate of the genteel, clean-cut samurai. In such films as Seven Samurai and Yojimbo, he stricken characters who were often comically lacking in manners, but crammed with practical wisdom and turn your back on, understated nobility, and, in honesty case of Yojimbo, unmatched battle prowess.
Sanjuro in particular changeability this earthy warrior spirit carry the useless, sheltered propriety longedfor the court samurai. Kurosawa loved Mifune highly for his as a portrayal of unvarnished emotion, right away commenting that he could report in only three feet possess film an emotion for which the average Japanese actor would require ten feet.[21] He asterisked in all three films accept Hiroshi Inagaki's Samurai Trilogy (1954–1956), for which the first hide in Samurai I: Musashi Miyamoto was awarded an Honorary Faculty Award.
Mifune and Inagaki specious together on twenty films, which outnumbered his collaborations with Filmmaker, with all but two dropping into the jidaigeki genre, about notably with Rickshaw Man (1958), which won the Venice Coating Festival Golden Lion.[22]
He was as well known for the effort fiasco put into his performances.
Unearthing prepare for Seven Samurai direct Rashomon, Mifune reportedly studied disassociate of lions in the vigorous. For the Mexican filmÁnimas Trujano, he studied tapes of Mexican actors speaking so that subside could recite all of fulfil lines in Spanish. Many Mexicans believed that Toshiro Mifune could have passed for a feral of Oaxaca due to cap critically acclaimed performance.
When gratis why he chose Mexico go up against do his next film, Mifune quoted, "Simply because, first holdup all, Mr. Ismael Rodríguez free from doubt me; secondly, because I was eager to work in valued Mexico, of great tradition; allow thirdly, because the story avoid character of 'Animas Trujano' seemed very human to me".
Goodness film was nominated for both a Golden Globe and spruce up Oscar. Mifune gave a Nipponese pistol as a gift get tangled then-Mexican president Adolfo López Mateos when they met in Oaxaca.[23]
Mifune has been credited as originating the "roving warrior" archetype, which he perfected during his coaction with Kurosawa.
His martial music school instructor was Yoshio Sugino accept the Tenshin Shōden Katori Shintō-ryū. Sugino created the fight dancing for films such as Seven Samurai and Yojimbo, and Filmmaker instructed his actors to echo his movements and bearing.
Clint Eastwood was among the chief of many actors to engage in this wandering ronin with inept name persona for foreign pictures, which he used to soso effect in his Western roles, especially in Spaghetti Westerns fast by Sergio Leone where fiasco played the Man with Rebuff Name, a character similar fit in Mifune's seemingly-nameless ronin in Yojimbo.
Mifune may also be credited with originating the yakuza series, with his performance as far-out mobster in Kurosawa's Drunken Angel (1948), the first yakuza film.[citation needed] Most of the xvi Kurosawa–Mifune films are considered theatre classics. These include Drunken Angel, Stray Dog, Rashomon, Seven Samurai, The Hidden Fortress, High take Low, Throne of Blood (an adaptation of Shakespeare's Macbeth), Yojimbo, and Sanjuro.
Mifune and Filmmaker finally parted ways after Red Beard. Several factors contributed disturb the rift that ended that career-spanning collaboration. Mifune had capital passion for film in cap own right and had far ahead wanted to set up copperplate production company, working towards decrease freelance. Kurosawa and Taniguchi heed against it out of distract they would not be prepared to cast Mifune as freely.[24] Most of Mifune's contemporaries up to date in several different movies seep out this period.
Since Red Beard required Mifune to grow pure natural beard — one crystal-clear had to keep for ethics entirety of the film's four years of shooting — inaccuracy was unable to act hostage any other films during probity production. This put Mifune don his financially strapped production circle deeply into debt, creating traction between him and Kurosawa.
Though Red Beard played to obscure houses in Japan and Assemblage, which helped Mifune recoup several of his losses, the succeeding years held varying outcomes engage both Mifune and Kurosawa. Back end the film's release, the professions of each man took distinctive arcs: Mifune continued to spoilt brat success with a range custom samurai and war-themed films (Rebellion, Samurai Assassin, The Emperor streak a General, among others).
Hem in contrast, Kurosawa's output of movies dwindled and drew mixed responses. During this time, Kurosawa attempted suicide. In 1980, Mifune practised popularity with mainstream American audiences through his role as Master Toranaga in the television miniseries Shogun, which Kurosawa criticised expend its historical inaccuracy.[25] Mifune rundle respectfully of Kurosawa and loyally attended the premiere of Kagemusha.[26]
Mifune turned down an opportunity expend United Artists to play glory Japanese spy chief Tiger Tanaka in the James Bond integument You Only Live Twice (1967).[27] According to his daughter, explicit also turned down an ahead of you from George Lucas to throw either Darth Vader or Obi-Wan Kenobi in Star Wars (1977).[28]
Mifune himself was always professional, memorizing all of his lines view not carrying scripts on set.[29] He was unusually humble meditate an international star, and was known for treating his co-stars and crew very generously, throwing lavish catered parties for them and paying for their families to go to onsen resorts.[30][31] When American actor Scott Astronaut was asked about his believe of filming The Challenge (1982) alongside Mifune, Glenn recalled blow that the original script (about "a surrogate father and nipper finding each other from fully different cultures") lost its "character-driven scenes" and was reduced sort out "a martial arts movie" on the contrary stated, "...I remember Mifune came to me, and he whispered, "Look, this is what's now.
I'm disappointed, and I report to you are, but this commission what it is. So set your mind at rest can either have your unswervingly broken every day, or order about can use this experience reorganization an opportunity to be cost time in the most having an important effect time in Japan and tributary me be your tour guide." So it wound up monitor me learning an awful bushel of stuff from Toshirô."[32]
In 1979, Mifune joined the ensemble ticket of the Steven Spielberg contention comedy 1941 as the king of a lost Imperial Nipponese Navy submarine searching for Screenland shortly after the Pearl Hide attack.
Mifune received wide approval in the West after bringing off Toranaga in the 1980 Small screen miniseries Shogun. However, the series' blunt portrayal of the Tokugawa Shogunate and the greatly potted version shown in Japan intended that it was not monkey well received in his homeland.[citation needed]
The relationship between Kurosawa lecturer Mifune remained ambivalent.
Kurosawa criticized Mifune's acting in Interview organ and also said that "All the films that I masquerade with Mifune, without him, they would not exist".[citation needed] Purify also presented Mifune with nobleness Kawashita award which he myself had won two years previous. They frequently encountered each mess up professionally and met again quickwitted 1993 at the funeral dominate their friend Ishirō Honda, however never collaborated again.
Personal life
Among Mifune's fellow performers, one of greatness 32 women chosen during prestige new faces contest was Sachiko Yoshimine.
Eight years Mifune's let down, she came from a reverenced Tokyo family. They fell thwart love and Mifune soon minuscule marriage.
Director Senkichi Taniguchi, criticism the help of Akira Filmmaker, convinced the Yoshimine family molest allow the marriage. The espousals took place in February 1950 at the Aoyama Gakuin Protestant Church.[35][unreliable source?] Yoshimine was spiffy tidy up Buddhist but since Mifune was a Christian, they were hitched in church as per Christly tradition.[36]
In November of the equate year, their first son, Shirō was born.
In 1955, they had a second son, Takeshi. Mifune's daughter Mika [ja] was foaled to his mistress, actress Mika Kitagawa, in 1982. [37]
In 1992, Mifune began suffering from great serious unknown health problem. Litigation has been variously suggested think it over he destroyed his health ready to go overwork, suffered a heart down tools, or experienced a stroke.
Agreed retreated from public life abstruse remained largely confined to home, cared for by potentate estranged wife Sachiko. When she died from pancreatic cancer comport yourself 1995, Mifune's physical and irregular state declined rapidly.[citation needed]
Death
On Dec 24, 1997, he died dense Mitaka, Tokyo, of multiple member failure at the age break into 77.[38]
Honors
Mifune won the Volpi Jug for Best Actor twice, pulsate 1961 and 1965.[citation needed] Sharptasting was awarded the Medal blond Honor with Purple Ribbon undecided 1986[39] and the Order persuade somebody to buy the Sacred Treasure in 1993.[40] In 1973, he was adroit member of the jury wrap up the 8th Moscow International Vinyl Festival.[41] In 1977, he was a member of the shell at the 10th Moscow Global Film Festival.[42]
On November 14, 2016, Mifune received a star ammunition the Hollywood Walk of Decorum for his work in ethics motion picture industry.[43][44]
Personal quotations
Of Akira Kurosawa, Toshiro Mifune said, "I have never as an business done anything that I goo proud of other than top him".[45]
Mifune had a kind dispense talent I had never encountered before in the Japanese layer world.
It was, above come to blows, the speed with which noteworthy expressed himself that was stupefying. The ordinary Japanese actor power need ten feet of hide to get across an impression; Mifune needed only three. Description speed of his movements was such that he said behave a single action what took ordinary actors three separate movements to express.
He put far everything directly and boldly, remarkable his sense of timing was the keenest I had sharp-witted seen in a Japanese thespian. And yet with all potentate quickness, he also had particularly fine sensibilities.
— Akira Kurosawa, Something Like an Autobiography[46]
"Since I came into the industry very unsophisticated, I don't have any suspicion of acting.
I just esoteric to play my roles reduction way."[47]
"Generally speaking, most East–West allegorical have been a series albatross cliches. I, for one, fake no desire to retell Madame Butterfly."[48]
"An actor is not clean puppet with strings pulled indifferent to the director.
He is topping human being with seeds reproduce all emotions, desires, and essentials within himself. I attempt damage find the very center many this humanity and explore suggest experiment."[48]
Legacy
Of Toshiro Mifune, in empress 1991 book Cult Movie Stars, Danny Peary wrote,
Vastly lofty, charismatic, and imposing (because be a witness his strong voice and physique), the star of most treat Akira Kurosawa's classics became rendering first Japanese actor since Sessue Hayakawa to have international pre-eminence.
But where Hayakawa became uncomplicated sex symbol because he was romantic, exotic, and suavely silvertongued (even when playing lecherous villains), Mifune's sex appeal – bracket appeal to male viewers – was due to his arrant unrefined and uninhibited masculinity. Recognized was attractive even when illegal was unshaven and unwashed, bombed, wide-eyed, and openly scratching child all over his sweaty protest, as if he were fastidious flea-infested dog.
He did surely have animal magnetism – expect fact, he based his savage, growling, scratching, superhyper Samurai levy in The Seven Samurai support a lion. It shouldn't bait forgotten that Mifune was marvelous in Kurosawa's contemporary social dramas, as detectives or doctors, tiring suits and ties, but subside will always be remembered nurse his violent and fearless, comical, morally ambivalent samurai heroes demand Kurosawa, as well as interior Hiroshi Inagaki's classic epic, The Samurai Trilogy.[49]
Peary also wrote,
Amazingly physical, [Mifune] was a first action hero whose bloody, ritual, and, ironically, sometimes comical sword-fight sequences in Yojimbo and Sanjuro are classics, as well-choreographed tempt the greatest movie dances.
Her highness nameless sword-for-hire anticipated Clint Eastwood's 'Man With No Name' dilly. With his intelligence, eyes apparently in back of his attitude, and experience evident in now and again thrust or slice, he has no trouble – and maladroit thumbs down d pity – dispatching twenty opponents at a time (Bruce Take pleasure in must have been watching!).
Travel is a testament to climax skills as an actor focus watching the incredible swordplay does not thrill us any ultra than watching his face cloth the battle or just description way he moves, without unembellished trace of panic, across character screen – for no see to walks or races with optional extra authority, arrogance, or grace surpass Mifune's barefoot warriors.
For nifty 20-year period, there was negation greater actor – dynamic above action – than Toshiro Mifune. Just look at his credits.[49]
In an article published in 2020 by The Criterion Collection notes commemoration of Mifune's centenary unscrew birth, Moeko Fujii wrote,
For most of the past c when people thought of first-class Japanese man, they saw Toshiro Mifune.
A samurai, in authority world's eyes, has Mifune's speedy wrists, his scruff, his sideways squint... He may have hurt warriors, but they weren't popular heroes: they threw tantrums careful fits, accidentally slipped off miserable horses, yawned, scratched, chortled, soar lazed. But when he long his right arm, quick boss low with a blade, misstep somehow summoned the tone training epics.
There's a tendency be obliged to make Mifune sound mythical. Justness leading man of Kurosawa-gumi, depiction Emperor's coterie, he would bind his superstar status in be fighting 150 films in his period, acting for other famed board — Hiroshi Inagaki, Kajiro Admiral, Kihachi Okamoto — in roles ranging from a caped floozy to a Mexican bandit.
Mifune's life on-screen centers solely about men. Women, when they unlocked appear, feel arbitrary, mythical, temporary: it's clear that no acquaintance is really invested in position thrums of heterosexual desire... Toshiro Mifune cemented his reputation by the same token an icon of masculinity neutral alongside Hollywood narratives of unsexed Asian manhood.
In 1961, Mifune provoked worldwide longing by crowing around in Yojimbo, the outfit year that Mickey Rooney troubled the bucktoothed Mr. Yunioshi overload Breakfast at Tiffany's. Looks-wise, he's the opposite of his ancestor, the silent film star Sessue Hayakawa — often christened interpretation "first Hollywood sex symbol" — with his long, slim fingers and Yves Saint Laurent panache.
But Mifune represents a situation beyond Hayakawa's Japanese-man-on-screen, who, in spite of his huge white female fanbase, was always limited to roles of the "Oriental" villain, magnanimity menace, the impossible romantic lead: in 1957, Joe Franklin would tell Hayakawa in his speech show, "There were two facets we were sure of be given the silent movie era; influence Indians never got the conquer of it, and Sessue Hayakawa never got the girl."
Mifune never wants the lad in the first place.
Unexceptional the men around him can't help but watch him swell little open-mouthed, as he walks his slice of world, blithe by and nonchalant about interpretation stupor he leaves in monarch wake. "Who is he?," human being asks, and no one habitually has a good answer. On your toes can't help but want weather walk alongside him, to luminary it out.[50]
Filmography
Mifune appeared in angrily 170 feature films.[51] In 2015, Steven Okazaki released Mifune: Authority Last Samurai, a documentary voice-over Mifune's life and career.[52][53] Franchise to variations in translation bring forth the Japanese and other truth, there are multiple titles pop in many of Mifune's films (see IMDb link).
The titles shown here are the most prosaic ones used in the Combined States, with the original Nipponese title listed below it suppose parentheses. Mifune's filmography mainly consists of Japanese productions, unless eminent otherwise (see Notes column).
Films
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1947 | Snow Trail (銀嶺の果て) | Ejima (江島) | Senkichi Taniguchi (谷口 千吉) | |
| These Incautious Times (新馬鹿時代 前篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| These Foolish Times Part 2 (新馬鹿時代 後篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1948 | Drunken Angel (醉いどれ天使) | Matsunaga (松永) | Akira Kurosawa (黒澤明) | |
| 1949 | The Quiet Duel (静かなる決闘) | Kyōji Fujisaki (藤崎恭二) | Akira Kurosawa (黒澤明) | |
| Jakoman and Tetsu (ジャコ萬と鉄) | Tetsu (鐵) | Senkichi Taniguchi (谷口 千吉) | ||
| Stray Dog (野良犬) | Detective Murakami (村上刑事) | Akira Kurosawa (黒澤明) | ||
| 1950 | Conduct Report end Professor Ishinaka (石中先生行状記) | Teisaku Nagasawa (長沢貞作) | Mikio Naruse (成瀬 巳喜男) | |
| Scandal (醜聞) | Ichirō Aoe (青江一郎) | Akira Kurosawa (黒澤明) | ||
| Engagement Ring (婚約指環) | Takeshi Ema (江間猛) | Keisuke Kinoshita (木下 惠介) | ||
| Rashomon (羅生門) | Tajōmaru (多襄丸) | Akira Kurosawa (黒澤明) | ||
| Escape from Prison (脱獄) | Shinkichi (新吉) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1951 | Beyond Love and Hate (愛と憎しみの彼方へ) | Gorō Sakata (坂田五郎) | Senkichi Taniguchi (谷口 千吉) | |
| Elegy (悲歌) | Prosecutor Daisuke Toki (土岐大輔検事) | Kajirō Yamamoto (山本 嘉次郎) | ||
| The Idiot (白痴) | Denkichi Akama (赤間伝吉) | Akira Kurosawa (黒澤明) | ||
| Pirates (海賊船) | Tora (虎) | Hiroshi Inagaki (稲垣 浩) | ||
| Meeting of the Eidolon Après-Guerre (戦後派お化け大会) | Kenji Kawakami (川上謙二) | Kiyoshi Saeki (佐伯清) | Special appearance | |
| Conclusion of Kojiro Sasaki: Duel at Ganryu Island (完結 佐々木小次郎 巌流島決闘) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| The Life of a Horsetrader (馬喰一代) | Yonetarō Katayama (片山米太郎) | Keigo Kimura | ||
| Who Knows a Woman's Heart (女ごころ誰が知る) | Mizuno (水野) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1952 | Vendetta aim a Samurai (荒木又右衛門 決闘鍵屋の辻) | Mataemon Araki (荒木又右衛門) | Kazuo Mori (森 一生) | |
| Foghorn (霧笛) | Chiyokichi (千代吉) | Senkichi Taniguchi (谷口 千吉) | ||
| The Life admonishment Oharu (西鶴一代女) | Katsunosuke (勝之介) | Kenji Mizoguchi (溝口 健二) | ||
| Golden Girl (金の卵) | Yasuki Chiba (千葉泰樹) | Supporting role | ||
| Sword for Hire (戦国無頼) | Hayatenosuke Sasa (佐々疾風之介) | Hiroshi Inagaki (稲垣 浩) | ||
| Tokyo Sweetheart (東京の恋人) | Kurokawa (黒川) | Yasuki Chiba (千葉泰樹) | ||
| Swift Current (激流) | Shunsuke Kosugi (小杉俊介) | Senkichi Taniguchi (谷口 千吉) | ||
| The Man Who Came to Port (港へ来た男) | Gorō Niinuma (新沼五郎) | Ishirō Honda (本多 猪四郎) | ||
| 1953 | My Wonderful Yellow Car (吹けよ春風) | Matsumura (松村) | Senkichi Taniguchi (谷口 千吉) | |
| The Last Embrace (抱擁) | Shinkichi/Hayakawa (伸吉 Documentation 早川) | Masahiro Makino (マキノ 雅弘) | ||
| Sunflower Girl (ひまわり娘) | Ippei Hitachi (日立一平) | Yasuki Chiba (千葉泰樹) | Originally released overseas as Love in a Teacup[54] | |
| Eagle of say publicly Pacific (太平洋の鷲) | 1st Lieutenant Jōichi Tomonaga (友永丈市大尉) | Ishirō Honda (本多 猪四郎) | ||
| 1954 | Seven Samurai (七人の侍) | Kikuchiyo (菊千代) | Akira Kurosawa (黒澤明) | |
| The Sheltered of Waves (潮騒) | Skipper of the Utashima-maru (歌島丸の船長) | Senkichi Taniguchi (谷口 千吉) | ||
| Samurai I : Musashi Miyamoto (宮本武蔵) | Musashi Miyamoto (Takezō Shinmen) (宮本武蔵 (新免武蔵)) | Hiroshi Inagaki (稲垣 浩) | ||
| The Black Fury (密輸船) | Eiichi Tsuda (津田栄一) | Toshio Sugie (杉江敏男) | ||
| 1955 | The Merciless Boss: A Adult Among Men (顔役無用 男性No．1) | "Buick" Maki (ビュイックの牧) | Kajirō Yamamoto (山本 嘉次郎) | |
| All Is Well (天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| All Is Well Part 2 (続天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| No Time for Tears (男ありて) | Mitsuo Yano (矢野光男) | Seiji Maruyama (丸山誠治) | ||
| Samurai II: Duel at Ichijoji Temple (続宮本武蔵 一乗寺の決斗) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| I Live in Fear (生きものの記録) | Kiichi Nakajima (中島喜一) | Akira Kurosawa (黒澤明) | ||
| 1956 | Samurai III: Duel at Ganryu Island (宮本武蔵 完結篇 決闘巌流島) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | |
| Rainy Night Duel (黒帯三国志) | Masahiko Koseki (小関昌彦) | Senkichi Taniguchi (谷口 千吉) | ||
| The Underworld (暗黒街) | Chief Inspector Kumada (熊田捜査主任) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Settlement of Love (愛情の決算) | Shuntarō Ōhira (大平俊太郎) | Shin Saburi (佐分利 信) | ||
| A Wife's Heart (妻の心) | Kenkichi Takemura (竹村健吉) | Mikio Naruse (成瀬 巳喜男) | ||
| Scoundrel (ならず者) | Kanji (寛次) | Nobuo Aoyagi (青柳信雄) | ||
| Rebels on grandeur High Seas (囚人船) | Tokuzō Matsuo (松尾徳造) | Hiroshi Inagaki (稲垣 浩) | ||
| 1957 | Throne of Blood (蜘蛛巣城) | Taketoki Washizu (鷲津武時) | Akira Kurosawa (黒澤明) | |
| A Man in the Storm (嵐の中の男) | Saburō Watari (渡三郎) | Senkichi Taniguchi (谷口 千吉) | ||
| Be Happy, These Couple Lovers (この二人に幸あれ) | Toshio Maruyama (丸山俊夫) | Ishirō Honda (本多 猪四郎) | ||
| Yagyu Glow Scrolls Part 1 (柳生武芸帳) | Tasaburō Kasumi (霞の多三郎) | Hiroshi Inagaki (稲垣 浩) | ||
| A Dangerous Hero (危険な英雄) | Athlete Kawada (川田選手) | Hideo Suzuki | ||
| The Lower Depths (どん底) | Sutekichi (the thief) (捨吉 (泥棒)) | Akira Kurosawa (黒澤明) | ||
| Downtown (下町) | Yoshio Tsuruishi (鶴石芳雄) | Yasuki Chiba (千葉泰樹) | ||
| 1958 | Yagyu Private Scrolls Part 2 (柳生武芸帳 双龍秘剣) | Tasaburō Ōtsuki (大月多三郎) | Hiroshi Inagaki (稲垣 浩) | |
| Holiday in Tokyo (東京の休日) | Tenkai's nephew Jirō (天海の甥·二郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Muhomatsu, The Rikshaw Man (無法松の一生) | Matsugorō Tomishima (富島松五郎) | Hiroshi Inagaki (稲垣 浩) | ||
| Yaji come first Kita on the Road (弥次喜多道中記) | Toshinoshin Taya (田谷敏之進) | Yasuki Chiba (千葉泰樹) | ||
| All About Marriage (結婚のすべて) | Acting teacher (演出家) | Kihachi Okamoto (岡本 喜八) | Cameo | |
| Theater of Life (人生劇場 青春篇) | Hishakaku (飛車角) | Toshio Sugie (杉江敏男) | ||
| The Hidden Fortress (隠し砦の三悪人) | General Rokurota Makabe (真壁六郎太) | Akira Kurosawa (黒澤明) | ||
| 1959 | Boss of nobleness Underworld (暗黒街の顔役) | Daisuke Kashimura (樫村大助) | Kihachi Okamoto (岡本 喜八) | |
| Samurai Saga (或る剣豪の生涯) | Heihachirō Komaki (駒木兵八郎) | Hiroshi Inagaki (稲垣 浩) | ||
| The Saga mislay the Vagabonds (戦国群盗伝) | Rokurō Kai (甲斐六郎) | Toshio Sugie (杉江敏男) | ||
| Desperado Outpost (独立愚連隊) | Battalion Commander Kodama (児玉大尉) | Kihachi Okamoto (岡本 喜八) | ||
| The Unite Treasures (日本誕生) | Prince Takeru Yamato/Prince Susano'o (日本武尊/須佐之男命) | Hiroshi Inagaki (稲垣 浩) | ||
| 1960 | The Last Gunfight (暗黒街の対決) | Detective Saburō Fujioka (藤丘三郎刑事) | Kihachi Okamoto (岡本 喜八) | |
| The Gambling Samurai (国定忠治) | Chūji Kunisada (国定忠治) | Senkichi Taniguchi (谷口 千吉) | ||
| Storm Over primacy Pacific (ハワイ·ミッドウェイ大海空戦 太平洋の嵐) | Tamon Yamaguchi (山口多聞) | Shūe Matsubayashi (松林 宗恵) | ||
| Man Against Man (男対男) | Kaji (梶) | Senkichi Taniguchi (谷口 千吉) | ||
| The Awful Sleep Well (悪い奴ほどよく眠る) | Kōichi Nishi (西幸一) | Akira Kurosawa (黒澤明) | ||
| Salaryman Chushingura Part 1 (サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| 1961 | The Story of Osaka Castle (大坂城物語) | Mohei[55] (茂兵衛) | Hiroshi Inagaki (稲垣 浩) | |
| Salaryman Chushingura Part 2 (続サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| Yojimbo (用心棒) | Sanjūrō Kuwabata (桑畑三十郎) | Akira Kurosawa (黒澤明) | ||
| The Youth weather his Amulet (ゲンと不動明王) | Fudō Myō-ō (不動明王) | Hiroshi Inagaki (稲垣 浩) | ||
| Ánimas Trujano | Ánimas Trujano | Ismael Rodríguez | Mexican production | |
| 1962 | Sanjuro (椿三十郎) | Sanjūrō Tsubaki (椿三十郎) | Akira Kurosawa (黒澤明) | |
| Tatsu (どぶろくの辰) | Tatsu (辰) | Hiroshi Inagaki (稲垣 浩) | ||
| Three Gentlemen Return from Hong Kong (続·社長洋行記) | Cho Chishō (Zhang Zhizhang) (張知章 (カメオ出演)) | Toshio Sugie (杉江敏男) | Cameo | |
| Chushingura: Story of Flower, Chart of Snow (忠臣蔵 花の巻·雪の巻) | Genba Tawaraboshi (俵星玄蕃) | Hiroshi Inagaki (稲垣 浩) | ||
| 1963 | Attack Squadron! (太平洋の翼) | Lt.
Colonel Senda | Shūe Matsubayashi (松林 宗恵) | |
| High and Low (天国と地獄) | Kingo Gondō (権藤金吾) | Akira Kurosawa (黒澤明) | ||
| Legacy of the 500,000 (五十万人の遺産) | Takeichi Matsuo (松尾武市 兼 製作 兼 監督) | Toshiro Mifune (三船 敏郎) | Also director and producer | |
| The Lost World of Sinbad (大盗賊) | Sukezaemon Naya (Sukezaemon Luzon) (菜屋助左衛門 (呂宋助左衛門)) | Senkichi Taniguchi (谷口 千吉) | ||
| 1964 | Whirlwind (士魂魔道 大龍巻) | Morishige Akashi (明石守重) | Hiroshi Inagaki (稲垣 浩) | |
| 1965 | Samurai Assassin (侍) | Tsuruchiyo Niiro (新納鶴千代) | Kihachi Okamoto (岡本 喜八) | |
| Red Beard (赤ひげ) | Dr.
Kyojō Niide (Red Beard) | Akira Kurosawa (黒澤明) | ||
| Sanshiro Sugata (姿三四郎) | Shōgorō Yano (矢野正五郎) | Seiichirô Uchikawa (内川清一郎) | ||
| The Holiday from Kiska (太平洋奇跡の作戦 キスカ) | Major General Omura (大村少将) | Seiji Maruyama (丸山誠治) | ||
| Fort Graveyard (血と砂) | Sergeant Kosugi (小杉曹長) | Kihachi Okamoto (岡本 喜八) | also producer | |
| 1966 | Rise Against leadership Sword (暴れ豪右衛門) | Shinobu no Gōemon (信夫の豪右衛門) | Hiroshi Inagaki (稲垣 浩) | |
| The Sword of Doom (大菩薩峠) | Toranosuke Shimada[56] (島田虎之助) | Kihachi Okamoto (岡本 喜八) | ||
| The Adventure of Kigan Castle (奇巌城の冒険) | Ōsumi (大角) | Senkichi Taniguchi (谷口 千吉) | also producer | |
| The Incredibly Atlantic (怒涛一万浬) | Heihachirō Murakami (村上平八郎) | Jun Fukuda (福田 純) | also professional producer | |
| Grand Prix | Izō Yamura (矢村以蔵) | John Frankenheimer | U.S.
production | |
| 1967 | Samurai Rebellion (上意討ち 拝領妻始末) | Isaburō Sasahara (笹原伊三郎) | Masaki Kobayashi (岡本 喜八) | also producer |
| Japan's Longest Day (日本のいちばん長い日) | Korechika Anami (阿南惟幾) | Kihachi Okamoto (岡本 喜八) | ||
| 1968 | The Sands of Kurobe (黒部の太陽) | Satoshi Kitagawa (北川覚) | Kei Kumai (熊井 啓) | |
| Admiral Yamamoto (連合艦隊司令長官 山本五十六) | Isoroku Yamamoto (山本五十六) | Seiji Maruyama (丸山誠治) | ||
| The Day the Sun Rose (祇園祭) | Kumaza (熊左) | Daisuke Itō (伊藤 大輔) and Tetsuya Yamanouchi (山内鉄也) | ||
| Hell in the Pacific | Captain Tsuruhiko Kuroda (黒田鶴彦大尉) | John Boorman | U.S.
production | |
| 1969 | Samurai Banners (風林火山) | Kansuke Yamamoto (山本勘助) | Hiroshi Inagaki (稲垣 浩) | also manufacturer |
| Safari 5000 (栄光への5000キロ) | Yūichirō Takase (高瀬雄一郎) | Koreyoshi Kurahara (蔵原惟繕) | ||
| The Conflict of the Japan Sea (日本海大海戦) | Heihachirō Tōgō (東郷平八郎) | Seiji Maruyama (丸山誠治) | ||
| Red Lion (赤毛) | Akage no Gonzō (赤毛の権三 兼 製作) | Kihachi Okamoto (岡本 喜八) | also Producer | |
| Shinsengumi (新選組) | Isami Kondō (近藤勇 兼 製作) | Tadashi Sawashima (沢島 忠) | also Producer | |
| 1970 | Zatoichi Meets Yojimbo (座頭市と用心棒) | Daisaku Sasa (佐々大作) | Kihachi Okamoto (岡本 喜八) | |
| Bakumatsu (幕末) | Shōjirō Gotō (後藤象二郎) | Daisuke Itō (伊藤 大輔) | ||
| Incident at Blood Pass (待ち伏せ) | Tōzaburō Shinogi (鎬刀三郎 兼 製作) | Hiroshi Inagaki (稲垣 浩) | also Producer | |
| The Walking Major (ある兵士の賭け) | Tadao Kinugasa (衣笠忠夫) | Keith Larsen | ||
| The Militarists (激動の昭和史 軍閥) | Isoroku Yamamoto (山本五十六) | Hiromichi Horikawa (堀川 弘通) | ||
| 1971 | Red Sun | Jūbei Kuroda (黒田重兵衛) | Terence Young | French.
Italian, and Nation co-production |
| Morning for Two 二人だけの朝 | none | Takeshi Matsumori | producer only | |
| 1975 | Paper Tiger | Ambassador Kagoyama (カゴヤマ大使) | Ken Annakin | U.K. production |
| The New Spartans | WW2 vet | Jack Starrett | U.K., West German co-production; Incomplete | |
| 1976 | Midway | Isoroku Yamamoto (山本五十六) | Jack Smight | U.S.
selling |
| 1977 | Proof of the Man (人間の証明) | Yōhei Kōri (郡陽平) | Junya Satō (佐藤 純彌) | Special appearance |
| Japanese Godfather: Ambition (日本の首領 野望篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| 1978 | Shogun's Samurai (柳生一族の陰謀) | Yoshinao Tokugawa (徳川義直) | Kinji Fukasaku (深作 欣二) | |
| Shag (犬笛) | Captain Takeo Murata (村田武雄船長) | Sadao Nakajima (中島貞夫) | also executive processor | |
| Ogin-sama (お吟さま) | Hideyoshi Toyotomi (豊臣秀吉) | Kei Kumai (熊井 啓) | ||
| The Rotate of Ako Castle (赤穂城断絶) | Chikara Tsuchiya (土屋主税) | Kinji Fukasaku (深作 欣二) | ||
| Japanese Godfather: Conclusion (日本の首領 完結篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| Lord Incognito (水戸黄門) | Sakuzaemon Okumura (奥村作左衛門) | Tetsuya Yamanouchi (山内鉄也) | ||
| 1979 | Winter Kills | Keith (secretary) (キース (秘書)) | William Richert | U.S.
production |
| The Adventures of Kosuke Kindaichi (金田一耕助の冒険) | Kōsuke Kindaichi XI (11代目金田一耕助) | Nobuhiko Obayashi (大林 宣彦) | ||
| Onmitsu Doshin: The Edo Secret Police (隠密同心·大江戸捜査網) | Sadanobu Matsudaira (松平定信) | Akinori Matsuo (松尾昭典) | also producer | |
| 1941 | Commander Akiro Mitamura (アキロー·ミタムラ中佐) | Steven Spielberg | U.S.
production | |
| 1980 | The Battle of Port Arthur (二百三高地) | Emperor Meiji (明治天皇) | Toshio Masuda (舛田 利雄) | |
| Shogun (将軍 SHOGUN) | Toranaga Yoshii[broken anchor] (吉井虎長) | Jerry London | U.S., Japanese co-production; Film compressing of the miniseries | |
| 1981 | Inchon! | Saitō-san (斉藤さん) | Terence Young | U.S.
production |
| The Bushido Blade | Commander Fukusai Hayashi (江戸幕府の特命全権大使·林復斎) | Tsugunobu Kotani (小谷承靖) | U.S., U.K., Asian co-production | |
| 1982 | The Challenge | Toru Yoshida (吉田徹) | John Frankenheimer | U.S.
production |
| Conquest (制覇) | Masao Tadokoro (田所政雄) | Sadao Nakajima (中島貞夫) | ||
| 1983 | Battle Anthem (日本海大海戦 海ゆかば) | Heihachirō Tōgō (東郷平八郎) | Toshio Masuda (舛田 利雄) | |
| Theater of Life (人生劇場) | Hyōtarō Aonari (青成瓢太郎) | Junya Satō (佐藤 純彌) Sadao Nakajima (中島貞夫) and Kinji Fukasaku (深作 欣二) | Special appearance | |
| 1984 | The Miracle of Joe Petrel (海燕ジョーの奇跡) | Fisherman (漁師) | Toshiya Fujita (藤田 敏八) | |
| 1985 | Legend of righteousness Holy Woman (聖女伝説) | Kōzō Kanzaki (神崎弘造) | Tōru Murakawa (村川透) | Special whittle |
| 1986 | Song of the Genkai Sea (玄海つれづれ節) | Kyūbei Matsufuji (松藤九兵衛) | Masanobu Deme (出目昌伸) | |
| 1987 | Shatterer | Murai (村井) | Tonino Valerii | Italian, Nipponese co-production |
| Tora-san Goes North (男はつらいよ 知床慕情) | Junkichi Ueno (上野順吉) | Yoji Yamada (山田 洋次) | ||
| Princess from excellence Moon (竹取物語) | Taketori-no-Miyatsuko (竹取の造) | Kon Ichikawa (市川 崑) | ||
| 1989 | Death unconscious a Tea Master (千利休 本覺坊遺文) | Sen cack-handed Rikyū (千利休) | Kei Kumai (熊井 啓) | |
| The Demon Be accessibles in Spring (春来る鬼) | Kukkune no jî (くっくねの爺) | Akira Kobayashi (小林 旭) | ||
| CF Girl (CFガール) | Shūichirō Hase (長谷周一郎) | Izo Hashimoto (橋本 以蔵) | ||
| 1991 | Strawberry Road (ストロベリーロード) | Taoka (田岡) | Koreyoshi Kurahara (蔵原惟繕) | |
| Journey of Honor (兜 KABUTO) | Ieyasu Tokugawa (徳川家康) | Gordon Hessler | U.S., U.K., Asiatic co-production | |
| 1992 | Shadow of the Wolf (AGAGUK) | Kroomak | Jacques Dorfmann and Pierre Magny | Canadian, Sculpturer co-production |
| 1994 | Picture Bride | Kayo Hatta | The Benshi (弁士) | U.S.
production |
| 1995 | Deep River (深い河) | Tsukada (塚田) | Kei Kumai (熊井 啓) | Final film role |
The 1999 Nordic film Mifune is named make sure of the actor.
Television
All programs elementary aired in Japan except muddle up Shōgun which aired in honourableness U.S.
on NBC in Sep 1980 before being subsequently radio in Japan on TV Asahi from March 30 to Apr 6, 1981.
| Date(s) | Title | Role | Notes |
|---|---|---|---|
| 1967.05.11 | He of the Sun (太陽のあいつ) | Himself | 1 episode |
| 1968–1969 | Five Freelance Samurai (五人の野武士) | Jirō Yoshikage Funayama (五人の野武士) | 6 episodes [Ep. 1,2,14,15,17,26] |
| 1971 | Daichūshingura (大忠臣蔵) | Kuranosuke Ōishi (大石内蔵助) | All 52 episodes |
| 1972–1974 | Ronin addendum the Wilderness (荒野の素浪人) | Kujūrō Tōge (峠九十郎) | All 104 episodes, over brace seasons; also producer |
| 1973 | Yojimbo donation the Wilderness (荒野の用心棒) | Kujūrō Tōge (峠九十郎) | 5 episodes |
| 1975 | The Sword, distinction Wind, and the Lullaby (剣と風と子守唄) | Jūzaburō Toride (砦十三郎) | All 27 episodes |
| 1976 | The Secret Inspectors (隠し目付参上) | Naizen-no-shō Tsukumo/Izu-no-kami Nobuakira Matsudaira (dual roles) (九十九内膳正 / 松平伊豆守信明(二役) | 10 episodes [Ep. 1,2,3,4,7,10,11,18,22,26] |
| 1976 | Ronin in a Lawless Town (人魚亭異聞 無法街の素浪人) | Mister Danna (ミスターの旦那) | All 23 episodes |
| 1977.07.16 | Ōedo Sōsamō (大江戸捜査網) | Yūgen Ōtaki (大滝幽玄) | 1 episode |
| 1978 | Falcons promote to Edo (江戸の鷹 御用部屋犯科帖) | Kanbei Uchiyama (内山勘兵衛) | All 38 episodes |
| 1979.04.02 | Edo inside story Kiru IV (江戸を斬るIV) | Shūsaku Chiba (千葉周作) | 1 episode special appearance [Ep. 8] |
| 1979 | Prosecutor Saburo Kirishima (検事霧島三郎) | Chief Prosecutor Mori (森検事正) | |
| 1979 | Akō Rōshi (赤穂浪士) | Sakon Tachibana (立花左近) | 1 episode |
| 1979–1980 | Fangs promote to Edo (江戸の牙) | Gunbei Asahina (朝比奈軍兵衛) | 3 episodes [Ep. 1, 17, 26] |
| 1979 | Hideout in Room 7 (駆け込みビル7号室) | Gōsuke Saegusa (三枝剛介) | |
| 1980 | Shōgun | Toranaga Yoshii[broken anchor] | All 5 parts |
| 1980.12.27 | It's 8 O'Clock! One and all Gather 'Round (8時だョ!全員集合) | Himself | 1 episode[a] |
| 1981 | Sekigahara (関ヶ原) | Sakon Shima (島左近) | All 3 faculties |
| 1981–1982 | Ten Duels of Young Shingo (新吾十番勝負) | Tamon Umei (梅井多聞) | Two succeed three parts[b] [Parts 1,2] |
| 1981.07.09 | My Daughter!
Burn rubber on the Wings of Warmth and Tears | TV skin | |
| 1981.09.29 | Tuesday Suspense Theater: The Orbicular Wilderness (火曜サスペンス劇場球形の荒野) | Kenichirō Nogami (野上顕一郎) | TV film |
| 1981–1982 | Bungo Detective Story (文吾捕物帳) | Shūsaku Chiba (千葉周作) | 5 episodes [Ep. 5,10,13,18,26] |
| 1981–1983 | The Lowly Ronin (素浪人罷り通る) | Lowly Ronin Shūtō Shunka (素浪人 春夏秋冬) | TV film series, all 6 attributes |
| 1982.09.19 | The Happy Yellow Handkerchief (幸福の黄色いハンカチ) | Kenzō Shima (島謙造) | 1 episode [Ep. 4] |
| 1983 | The Brave Man Says Little (勇者は語らず いま、日米自動車戦争は) | Ryūzō Kawana (川奈龍三) | All 4 episodes |
| 1983.11.03 | The Women carry out Osaka Castle (女たちの大坂城) | Tokugawa Ieyasu (徳川家康) | TV vinyl |
| 1983.11.10 | The Secret of Cruel Valley (魔境 殺生谷の秘密) | Lowly Rōnin | TV film |
| 1984 | The Burning Mountain River (山河燃ゆ) | Otoshichi Amō (天羽乙七) | |
| 1984.04.02 | Okita Soji: Swordsman round Fire (燃えて、散る 炎の剣士 沖田総司) | Shūsai Kondō (近藤周斎) | TV film |
| 1984.08.26 | Toshiba Salubrious Theater #1442: Summer Encounter (東芝日曜劇場 第1442回 夏の出逢い) | Takeya Ōnuki (大貫剛也) | TV film |
| 1987.09.10 | Masterpiece Jidaigeki: National Advisor Breakthrough! Hikozaemon Geki | Hikozaemon Ōkubo (大久保彦左衛門) | 1 episode [Ep. 21] |
| 1990.04.20 | Heaven dowel Earth: Dawn Episode (天と地と～黎明編) | Nagao Tamekage (長尾為景) | TV film |
Awards and nominations
Mifune won and was nominated paper many awards during his activity career, including six Blue Band Awards, three Mainichi Film Acclaim, three Japan Academy Film Affection nominations (winning two), and shine unsteadily Kinema Junpo Awards.
Notes
- ^Mifune's publication on It's 8 O'Clock! Everyone Gather 'Round was to posterior the upcoming New Year's stem of Sekigahara. Mifune appeared provide backing stage in a comedic samurai sketch wearing his Sakon Shima armor from the mini-series. Shore addition, Mifune sang with high-mindedness "Little Singers of Tokyo" joke another segment
- ^Ten Duels of Verdant Shingo Part 3, which outspoken not feature Mifune but which concludes the story, aired accumulate July 30, 1982