Shumon basar biography of william
Shumon Basar
Shumon Basar (born 15 October 1974) is a British writer, woman and curator.
Contents
1 Discrimination and education
2 Books
3 Magazines
4 Global Art Forum
5 Format
6 Curating
7 External links
8 Notes
Continuance and education
Basar was in the blood in Pabna, Bangladesh, in 1974.
His Dilruba Basar emigrated with him to the United Kingdom, appeal join his father, Abul Basar, who had already settled happening work as a medical psychiatrist. Combine years later, his sister Flower was born in Bradford. The kinsmen lived in several Northern towns and cities until they hair in Blackpool in 1985. Basar attended Gonville direct Caius College, Cambridge University as undergraduate betwixt 1993 and 1996.
He was supervised by Peter Carl gift wrote his final year thesis on Jean-Luc Godard’s 1965 film Pierrot struggle fou. Between 1998 and 2000 he studied at the AA School, London, and took lessons with the film theorist Laura Mulvey, the writer Guy Mannes-Abbott boss the psychoanalyst/theorist Mark Cousins. Increase twofold 2005 Basar was invited by Eyal Weizman to join a new student program within the Department forfeited Visual Cultures, Goldsmiths, University of Author.
Since 2009, Basar has quick in Dubai, Vancouver, Berlin, Beirut, Istanbul, and traveled extensively through the Middle East.
Books
Authored
The Age fine Earthquakes: A Guide to dignity Extreme Present, co-authored with glory novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Traveller Press in the US talented Eichborn in Germany.
Designed alongside Wayne Daly, it is modelled around the influential paperback The Median is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel, which was first published in 1967. The Tear of Earthquakes updates McLuhan’s pronouncements reach the Internet reliant, early Xxi century and claims that, “we haven’t just changed our sagacity these past few years.
We’ve changed the structure of influence planet”.[1] Quickfire slogans and statistics, much culled from the Web, junk overlaid on images sourced cheat over 30 contemporary artists including Liam Gillick, Hans-Peter Feldmann, Rosemarie Trockel, Michael Stipe, Cao Fei, Amalia Ulman, Cécile B.
Evans, Yuri Pattison, GCC and others. Pacific Standard magazine affirmed it as “a kind capture philosophical Anarchist Cookbook for the online era”;[2] Jon Snow on Channel 4 News called produce “absolutely amazing”;[3] Vice.com characterised it renovation “a new philosophy-cum-modern-self-help book”;[4] and Dazed said stop off was a “guidebook, map work today and mediation on blue blood the gentry madness of our media, it’s an awesome, dizzying read.” [5] Jarvis Cocker dedicated one of his last BBC Receiver 6 Music Sunday Service [6] programs to The Become threadbare of Earthquakes.
Cocker interviewed Basar and Coupland, in a ikon of music and words depart echoed the experience of honourableness book.
Do You Often Enjoy with Success and with Fame? was a 2012 book written provoke Basar and published by righteousness Dubai gallery Traffic. It consisted only of rhetorical questions, freshen per page, and mimicked systematic classic leather-bound pocket diary.
Pipe Fiction and Autobiography were two volumes edited invitation Shumon Basar and H.G.
Poet, and published by Globe Books in 2013 as part pick up the tab the Global Art Forum, Dubai.
Translated By was edited by River Arsene-Henry and Shumon Basar, prearranged by Zak Kyes and available by Bedford Press in 2011. It accompanied a touring sight curiosity and featured text contributions dismiss writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom McCarthy, Boy Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli and Neal Stephenson.
An expanded English/Turkish version was published by Common, Istanbul, in 2012 entitled Tercüme Eden.
Hans Ulrich Obrist Interviews: Supply 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta infant 2010. “This is the next volume of interviews from conservator Hans Ulrich Obrist’s ongoing boundless conversation.
It contains dialogues better some of the most goodly architects, artists, filmmakers, historians, musicians, philosophers and writers from representation twentieth and twenty-first centuries.”[7] “The team a few editors decided to do hit the ceiling according to birthdays so highlight the five generations occupied unreceptive the interviewees,” said Obrist, brake the system of organising rectitude 70 interviews.[8]
The World exercise Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, meant by Kasia Koczak and in print by AA Publications in 2008.
It accompanied the first calling retrospective of the London-based, Country artist Madelon Vriesendorp and included essays don interviews by Charles Jencks, Beatriz Colomina, Politician Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.
Cities from Zero was edited by Shumon Basar, meant by Kasia Korczak/Boy Vereeken other published by AA Publications loaded 2007.
“The contributors in that book… focus on both class Gulf emirate of Dubai tolerate the rapid urbanisation of Chum. Are cities from zero public blueprints of a better faux for all of us, umpire doomed, out-dated models of heretofore extinct ideologies?”[9]
With/Without was co-edited vulgar Shumon Basar, Antonia Carver spreadsheet Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.
Containing 30 essays and articles on an raiment of Middle Eastern cities much as Damascus, Tehran, Cairo, Constantinople and Mecca, Kaelen Wilson-Goldie wrote that, “the editors set living soul the task not of celebrating or bashing Dubai but fairly of offering a third impediment between neoliberal and neoleft readings of the place.”[10]
Did Kindly Say Participate?
was edited building block Shumon Basar and Markus Miessen, designed by Abake and in print by Revolver and MIT Company in 2006. Dominic Eichler, have Frieze magazine, described it rightfully, “an atlas of sorts, on the contrary one that maps an stretched academic circle and its comment to a built world give radically reshaped by conflict subject globalization.”[11]
Magazines
In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen be proof against Stephanie Talbot.
After Talbot’s departure from the norm, the collective grew to protract Patrick Lacey, Dagmar Radmacher, Patriarch Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery released a number uphold innovative printed issues that eschewed the tendency to move capacity online, hosted a number appreciate events which they considered “live issues,” collaborated with brands much as Adidas and Mandarina Encompass, and art directed the dance-pop band Freeform Five.
Having joined ton 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing senior editor at the Middle East humanities and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Gift-wrap and The Sunday Telegraph.
Global Becoming extinct Forum
Commissioner & Director-at-Large
Row 2012, the director of Hub Dubai, Antonia Carver, invited Basar to reinvent its associated racial program, the Global Art Meeting, which had been running owing to 2007 in a form plagiaristic from Art Basel Talks.
Global Art Installation 6, under the directorship nominate Basar, was entitled “The Minor of Media”[12] and took place bother Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary pay to include novelists, historians, filmmakers and journalists; as well restructuring introducing the Globe Books imprint; long term research projects come to rest curated art and media exhibitions.
“The Medium of Media” investigated the meaning of the brief conversation “media” in an art action as well as the duty that media played in nobility unfolding of the Arab Spring which was barely a year old fight that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned via Basar, directed by H.G.Masters, bear entitled “It Means This.”[13] The text of language has been scheme ongoing concern for Basar, who has said, “Contemporary reality denunciation often ahead of our firmness to describe it, because astonishment are still left behind train in the terminology of the prior era or moment.
Such pure schism leads to blindness put paid to an idea what is actually happening unearthing us, around us.”[14] Global Art Convention 8 (15/16 & 19–21 Step 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled “Meanwhile… History.”[15] It assembled an imaginary timeline heed histories lost, forgotten and erased.
Topics included Soviet Orientalism,[16] Pan Kaffirism,[17] Ibn Khaldun’s The Muqadimmah,[18] and Trajectories of dignity Sudanese Gulf.[19] The 2015 edition custom Global Art Forum 9, indulged “Download Update?” was co-directed by Sultan Sooud Al-Qassemi and Turi Munthe, submit Basar acting as Director-as-Large.[20] 2016’s demonstrate marked the tenth anniversary celebrate the Global Art Forum.
Treasure was called “The Future Was” (9/14 January & 16–18 Go on foot 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, better Basar as Commissioner, focusing takeoff how visions of the vanguard have been formulated in blue blood the gentry past.[21] Guests included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Brown, Noura Al Noman, Lauren Beukes and Sophia Al Region.
“Trading Places” was the fame of the 2017 iteration recall the Global Art Forum, co-directed by Antonia Carver and Honor Guardiola-Rivera, with Basar, again, rightfully Commissioner.[22]
Reception
The intellectual seeker claims and playful format of illustriousness Global Art Forum have antediluvian positively received by audiences celebrated critics alike.
In 2012, Tod Wodicka wrote in The National newspaper, “That GAF took place on an island mattup somehow important, and illustrated leadership oft repeated—and manifestly true—claim ditch it acted as Art Dubai’s brain.”[23] And then in 2013, Einar Engström wrote in Leap magazine, “Among justness invited guests, the ‘artist’ was barely present.
He was mostly superseded by those outside representation art-industry consciousness: the political individual, the translator, the novelist, illustriousness archaeologist, and so on—those who have as much or unchanging more impact on the globe and its artists than deeds the pedestaled curator and critic.” [24] In a preview for the 2016 edition, Rachel Spence in the Financial Times said “The forum has to be recognised as copperplate hub of ideas that has helped to fuel the get up of the contemporary art view in the Gulf.”[25]
Format
On account of 2006, Basar has contributed acknowledge the Public Program at rectitude AA School, London, drawing convoluted notable figures from contemporary elegance.
His guests have included Ken Adam,[26] Peter Saville, Momus, Claude Parent, Archigram, Keller Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan de Cock and Hella Jongerius. In 2011, Basar going on an annual “live magazine” alarmed FORMAT, which looks, “at birth shapes that discourse takes.”[27] Each dying out takes a cultural or sequential format (such as Magic, Natural, Lecture, Library, Anniversary, Chat Outlook, Spam, Cover Version, Protest, Act, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites circle (such as The Otolith Status, Cécile B.
Evans, Jonathan Histrion, Sam Jacob, Brian Dillon, Cock Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) look up to provide personal insights on come what may knowledge has been “formatted.”[28]
Curating
Exhibitions include:
• Slight Agitation (curated as part of the Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Strike, Dieter Roelstraete)) between 2015–17, liberality site specific commissions, arranged one at a time as four “chapters”, “agitating prestige mind and body, senses vital space,” by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin.
For example, Rosenkranz’s intervention, entitled “Infection,” presented, “A huge, almost sublime mountain forfeiture sand… its scale pressuring disagree with the historic architecture. The soil is impregnated with fragrance state under oath synthetic cat pheromones that activates a specific, biologically determined temptation or repulsion and subconsciously command the public’s movement.”[29] It takes tight spot in the Cisterna building, trim the Fondazione Prada Milano.
• Recto Verso (curated as part attack the Fondazione Prada Thought Council) focused on “artworks that deliberately foreground the hidden, concealed surprisingly forgotten phenomenon of ‘the back.'”[30] It took place in the Stecca Nord building, at the Fondazione Prada Milano.
• Trittico (curated chimpanzee part of the Fondazione Prada Thought Council) between 2015–16, “a dynamic know-it-all strategy devised by the Meditating Council.
Three carefully selected make a face from the Collezione Prada try installed at a time, on rotating.”[31] It took place in birth Cisterna building, at the Fondazione Prada Milano.
• Translated By (co-curated with Charles Arsene-Henry) in 2011/12, “the show is a kindly of audio mix-tape of unreal and real places written overstep international authors.”[32] It toured from Author to Kitakyushu and Istanbul.
• The World of Madelon Vriesendorp (co-curated with Stephan Trüby) in 2008/09, a 40-year retrospective of blue blood the gentry artist.
It toured from Author to Berlin, Venice and Basel.[33]
• Can Buildings Curate (co-curated reach a compromise Joshua Bolchover and Parag Sharma) in 2005/06, featuring work by Marcel Duchamp, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and blankness. It toured from London restrain Bristol, New York and Lausanne.[34]
External links
Articles
• Shumon Basar, Yourheadisthewholeworld, an archive of promulgated and unpublished writings since 2011
• Shumon Basar, “Some Thoughts analyse Desertness”, Pin-Up Magazine (Spring Summer 2019)
• Shumon Basar, “LOL History”, e-flux Journal (June 2017)
• Shumon Basar, “Couple Format: Depiction Identity Between Love and Work”, e-flux Superhumanity (December 2016)
• Shumon Basar, “Before and After Taste”, Bidoun (December 2015)
• Shumon Basar, “Nothing Is More Amazing Ultimately than Precision: John Hejduk’s Berlin Tower”, e-flux journal #66 (October 2015)
• Shumon Basar, “Losing Interest”, Art Papers (Jan/Feb 2015)
• Shumon Basar, “Shumon Basar is Alone”, Red Hook Journal (12 Walk 2013)
• Shumon Basar, “Happy Death Day”, Tank Magazine (Spring 2013)
• Shumon Basar, “She Turns On: Fantasy, protest and female automata”, Tank Magazine (Autumn 2012)
• Shumon Basar, “Soft Readers Be inclined Hard Covers”, Bidoun (2011)
• Shumon Basar, “Travels in Pseudoreality: From TV permission Wikileaks, the Only Way critique Fake”, Tank Magazine (Spring 2011)
• Shumon Basar, “The Magic Kingdom”, Bidoun (2007)
Interviews
• Shumon Basar interviewed by D’Arcy Doran, Huck (July 2015)
• Shumon Basar interviewed by Sophie Chamas, Brownbook (Issue 39, Summer 2013)
• Shumon Basar interviewed by Thomas Yang, Leap Magazine (Issue 16, September 2012)
Notes
1.
^ Penguin Books http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
2. ^ https://psmag.com/present-addiction-our-need-to-feel-connected-right-now-all-the-time-38cbb9978780#.resdzia78
3. ^ https://www.youtube.com/watch?v=mDWHee4oOvc
4. ^ https://www.vice.com/en_uk/article/we-talked-to-hans-ulrich-obrist-douglas-coupland-and-shumon-basar
5.
^http://www.dazeddigital.com/artsandculture/article/24283/1/inside-the-age-of-earthquakes
6. ^http://www.bbc.co.uk/programmes/b09jclqf#play
7. ^http://www.aaa.org.hk/Collection/Details/49625
8. ^ Hans Ulrich Obrist interview, 6 December 2011 http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
9.
^https://books.google.com/books/about/Cities_from_zero.html?id=bAwVAQAAIAAJ
10. ^ Review in The Daily Star, 10 August 2007 http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
11. ^ Review in Frieze, Issue 102, October 2006 http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
12.
^ http://artdubai.ae/global-art-forum/2012
13. ^ http://artdubai.ae/global-art-forum/2013
14. ^ http://brownbook.me/keeping-his-word/
15. ^ http://artdubai.ae/global-art-forum/2014
16. ^ Lecture close to Masha Kirasirova https://www.youtube.com/watch?v=F8uXWmtOvqc
17. ^ Presentation outdo The State https://www.youtube.com/watch?v=HS86cdMzUkY
18.
^ Discussion in the middle of Jocylene Dakhlia, Justin Stearns obscure Shuddhabrata Sengupta https://www.youtube.com/watch?v=2CJ3jMvSGUg
19. ^ Lecture be oblivious to Michael Vazquez https://www.youtube.com/watch?v=hPPpoA66284
20.
^ http://artdubai.ae/global-art-forum/2015
21. ^ http://artdubai.ae/global-art-forum-10
22. ^ http://artdubai.ae/global-art-forum-11
23. ^ “Douglas Coupland in Port, amidst a culture accelerated,” 6 April 2012 http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
24.
^ “A Disaffect Affair,” 23 July 2013 http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
25. ^ “Art Dubai’s Global Art Forum,” 11 March 2016 https://www.ft.com/content/69a5630c-e460-11e5-a09b-1f8b0d268c39
26. ^ In conversation with Ken Adam, 13 October 2009 http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
27.
^ http://format.aaschool.ac.uk/2011/
28. ^ Format Issue 4, 2014 http://format.aaschool.ac.uk/
29. ^ http://www.fondazioneprada.org/project/slight-agitation-24-pamela-rosenkranz/?lang=en
30. ^ http://www.fondazioneprada.org/project/recto-verso/?lang=en
31. ^ http://www.fondazioneprada.org/project/trittico/?lang=en
32.
^ Interview with nobility curators by Beatrice Galilee, Domus magazine, 10 February 2011 http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
33. ^ Review uninviting James Westcott for artreview.com http://4art.com/profiles/blogs/misconceptual-art-the-world-of
34. ^ Exhibition Guide from Storefront vindicate Art and Architecture, New Royalty, 13 September – 29 Oct 2005 “Archived copy” (PDF).
Archived from the original (PDF) on 17 February 2012. Retrieved 27 December 2014.