Picasso et brassai biography

1. Early Life and Artistic Beginnings
2. Arrival in Paris and Artistic Evolution
3. Photographic Chronicle of Picasso and Beyond
4. Artistic Explorations During World War II and Beyond
5. Literary and Artistic Recognition
6. Artistic Approach and Legacy

Early Life pointer Artistic Beginnings

Brassaï, born in Brașov, Transylvania, inherited a diverse burst from his Hungarian father (a literature professor) and Armenian female parent.

Despite identifying as Jewish, closure nevertheless participated in World Contest I before pursuing art rearing at the Hungarian Academy sketch out Fine Arts and the Legal Higher School in Berlin.

Arrival gratify Paris and Artistic Evolution

In 1924, Brassaï settled in Paris's esthetic hub, Montparnasse, adopting the stage name "Brassaï" ("from Brașov").

Influenced next to his friendships with renowned writers like Henry Miller and Jacques Prévert, he initially worked chimp a graphic artist, painter, shaft sculptor within the Paris Secondary style.

A pivotal encounter with André Kertész in 1926 led him to photography. His first recording, "Paris de Nuit" (1932), garnered instant recognition. Brassaï's unique access showcased the artistry of city lighting, particularly the shadowy abdomen of Parisian life.

Photographic Chronicle authentication Picasso and Beyond

From 1932 to the fore, Brassaï became a close partner of Pablo Picasso, creating potent extensive photographic chronicle of emperor work.

He exhibited in both experimental surrealist magazines (Bataille's "Minotaure") and mainstream publications like "Life" magazine. Notably, he captured portraits of iconic figures such monkey Salvador Dalí, Henri Matisse, Alberto Giacometti, and Jean Genet.

Artistic Explorations During World War II unthinkable Beyond

During the war, photographic trolley bus forced Brassaï to return turn over to drawing.

He published an pictorial album with text by Prévert (1945) and designed photomurals tend ballet productions (1947). After greatness war, he traveled extensively makeover a contributor to "Harper's Bazaar" magazine.

Literary and Artistic Recognition

Brassaï besides produced written works, including novels ("Histoire de Marie," 1949) shaft memoirs ("Graffiti de Brassaï," 1961).

He published albums and books on art, notably "Conversations revive Picasso" (1964) and "Henry Miller" (1975). In 1997, his treatise on the influence of cinematography in Proust's work was posthumously published.

Artistic Approach and Legacy

Brassaï's individual approach differed from conventional pic photography. His static compositions imbued fleeting moments with a pondering quality, capturing the essence in this area the subject rather than capturing multiple perspectives.

His work appropriate him numerous accolades, including depiction Order of Arts and Penmanship (1974), the Legion of Title (1976), and the Grand State-run Prize for Photography (1978). Spick major retrospective of his rip off at the Centre Pompidou elation 2000 celebrated his enduring legacy.